Septiembre – Octubre 2011
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2020/01/MAY-JUN-2011_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
02- Veinticinco años de erosión cultural
04- Cartas al editor
06- Ópera en México
10- México en el mundo
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
12- Le fille du régiment en Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]REFLEXIONES[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
18- Die Fledermaus en el Teatro de la Ciudad
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
20- Javier Camarena: La voz en el cielo y los pies en la tierra
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MONOGRAFÍA[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
28- Le comte Ory: C’est charmant! C’est divine!
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RETRATO[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
32- La obertura inexistente de Gioachino Rossini
34- Ópera en los estados
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÓNICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
40- Un festival de ópera… en el desierto
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA EN CUERNAVACA[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
44- Madama Butterfly… Le nozze di Figaro
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
48- Elīna Garanča: “El público de hoy nos exige que seamos más creíbles”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»l7xeffcbmk» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DEBUT[/cmsmasters_heading][cmsmasters_text shortcode_id=»zmjg2s9se» animation_delay=»0″]
54- María Alejandres: Der Anfang Einer Welt-Karriere
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mo5fn04rd8″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»wjdimrd7zl» animation_delay=»0″]
59- María Alejandres: En busca de la perfección
[/cmsmasters_text][cmsmasters_heading shortcode_id=»zs5gzdaf1″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]LA ÓPERA EN CLARO[/cmsmasters_heading][cmsmasters_text shortcode_id=»xlbm9y993d» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»wl0kayaxle» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]TESTIMONIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»597ex3z3c8″ animation_delay=»0″]
Bajo la Lupa Rafael Negrete, barítono
Antonio Gandía: “Cantar es fácil; lo difícil es cantar bien”
Carmela Remigio: “El repertorio mozartiano me eligió a mí”
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