Noviembre – Diciembre 2018

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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/NOV-DIC-18_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]

03- Carta del Presidente

04- Ópera en México

06- Javier Camarena presenta Contrabandista

08- En breve

 

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10- Ethel Trujillo: La que persevera, alcanza

[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]

12- Macbeth en Bellas Artes

[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PUNTO DE VISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]

13- “Macbeth es casi una antiópera”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]

14- Alfredo Daza “A México siempre regreso”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENSAYO[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]

18- El polifacético Don Carlos

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23- Música condenada a morir en la sala

[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]

24- Francisco Méndez Padilla El zar del supertitulaje

28- Ópera en los estados

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30- Vivica Genaux: “Me encanta cantar obras desconocidas”

32- México en el mundo

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34- 150 años sin Rossini

[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]IN MEMORIAM[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]

40- Claude Debussy y Pelléas et Mélisande

[/cmsmasters_text][cmsmasters_heading shortcode_id=»f93gylz2c» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA Y JUSTICIA[/cmsmasters_heading][cmsmasters_text shortcode_id=»5ar0zqtkcl» animation_delay=»0″]

42- El caso de Peter Grimes

[/cmsmasters_text][cmsmasters_heading shortcode_id=»a3yra3t54o» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»lxk2rgcgo» animation_delay=»0″]

Ekaterina Gubanova
“Verdi y Wagner se complementan muy bien”

Brenda Rae, soprano

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Daniela Bouret, directora del Teatro Solís de Montevideo

 

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