Noviembre – Diciembre 2019
[cmsmasters_row data_width=»boxed» data_padding_left=»3″ data_padding_right=»3″ data_top_style=»default» data_bot_style=»default» data_color=»default» data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_bg_parallax_ratio=»0.5″ data_padding_top=»0″ data_padding_bottom=»50″ data_padding_top_large=»0″ data_padding_bottom_large=»0″ data_padding_top_laptop=»0″ data_padding_bottom_laptop=»0″ data_padding_top_tablet=»0″ data_padding_bottom_tablet=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_v=»0″ data_shortcode_id=»k6lltlpe1l»][cmsmasters_column data_width=»1/2″ data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_border_style=»default» data_animation_delay=»0″ data_shortcode_id=»he6qu90lb»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» animation_delay=»0″]16700|http://54.37.154.135/Opera/wp-content/uploads/2019/10/noviembre2019-775×1024.jpg|large[/cmsmasters_image]
[cmsmasters_divider shortcode_id=»15togbzu9p» width=»long» height=»0″ style=»solid» position=»center» margin_top=»25″ margin_bottom=»40″ animation_delay=»0″]
[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/noviembre-diciembre-2019_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]
07 – Das Rheingold en la UNAM
08 – Ópera en México
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]FESTIVALES[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PROTAGONISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
12 – Diego Torre: “Regresé a México interpretando el papel de un mexicano”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
19 – La fanciulla del West en Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MEMORIAS DEL PALACIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
20 – Plácido Domingo, a 60 años de su debut en Bellas Artes
23 – Ópera en los estados
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]EN PRIMERA PERSONA[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
25 – Una rara cantata de Rossini
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
27 – Mariana Sofía García: “Pienso en las heroínas de Mozart y Rossini”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»6esgr2x679″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»wo84e2tw6k» animation_delay=»0″]
28 – Ingrid Novoa y The Nu Opera: Una nueva manera de producir y promover artistas
32 – México en el mundo
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
33 – Adelaida Negri y Marco Antonio Saldaña
[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]VOCES[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]
34 – Karla Álvarez Centeno: “Cantar ópera, pop y musicales tiene su chiste”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»77kof4g2mp» animation_delay=»0″]
36 – Michael Volle: “Strauss también amaba la voz del barítono”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»80vih96bw» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]COMPOSITORES[/cmsmasters_heading][cmsmasters_text shortcode_id=»7j9vdfhmeq» animation_delay=»0″]
40 – Émile Jonas y Francesca Caccini
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pxhsqfv8o» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ELUCUBRACIONES[/cmsmasters_heading][cmsmasters_text shortcode_id=»hk1drv6ru2″ animation_delay=»0″]
44 – El repertorio y la puesta en escena de óperas
[/cmsmasters_text][cmsmasters_heading shortcode_id=»azqbtuwjrp» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ccdzxauz8e» animation_delay=»0″]
47 – L’ange de Nisida de Donizetti; Elīna Garanča: Sol y Vida; Levy Sekgapane: Giovin Fiamma
[/cmsmasters_text][cmsmasters_heading shortcode_id=»dkzjrxb3t» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»2uzfoaev6″ animation_delay=»0″]
“Hay obras que pueden cambiarte la vida para siempre”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»0lepx4zgp» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»ovemj0myz9″ animation_delay=»0″]
Matthew Wild, director artístico de la Cape Town Opera, Sudáfrica
[/cmsmasters_text][/cmsmasters_column][/cmsmasters_row]