Marzo – Abril 2015

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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/ene-feb-2015_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]

04- En breve

 

 

[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BATUTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]

06- Natanael Espinoza: Sin atajos en la ópera

08- Linus Lerner: La gestación de dos festivales de ópera

[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]VOCES[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]

10- Flavio Oliver: “Orfeo es el arquetipo del cambio”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]FESTIVALES[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]

12- El FAOT 31: Estandarte lírico de México

[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CARA A CARA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]

18- Lydia Rendón: “En México cantamos todo lo que podemos”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESTRENO[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]

22- Xochicuicatl cuecuechtli, la poesía picante

[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]

24- Rolando Garza Rodríguez: La importancia de un Opera Studio

27- México en el mundo

[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]

28- Eva Maria Westbroek: “¡Quiero cantar más óperas italianas!”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ANIVERSARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]

32- La gloria mundana de Puccini, 90 años después

36- Ópera en el mundo

[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]GALERÍA DE RAREZAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]

40- El beso, de Bedřich Smetana

[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]

42- Verdi de Krassimira Stoyanova, Rival Queens de Simone Kermes y Vivica Genaux,
I Capuleti e i Montecchi

[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]

45- Erika Kubacsek (1926-2015)

[/cmsmasters_text][cmsmasters_heading shortcode_id=»rzlgah164g» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]HOMENAJE[/cmsmasters_heading][cmsmasters_text shortcode_id=»he9j5fqnvs» animation_delay=»0″]

46- Luis Herrera de la Fuente y la ópera

[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CALENDARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]

48- Don Giovanni en Bellas Artes

[/cmsmasters_text][cmsmasters_heading shortcode_id=»r95lcpwif9″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»24rj54hmqh» animation_delay=»0″]

Alfredo Daza, barítono

Marie-Claude Chappuis: “El encuentro entre el texto y la música es lo que permite el arte del canto”

Virginia Tola: “He construido mi carrera en el escenario”

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