Septiembre – Octubre 2017
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/SEP-OCT-17_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
10- Sergio Vela: La fanciulla del West, la mejor partitura de Puccini
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]APUNTES[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
16- El Western de la Secesión y de las fieras
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BATUTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
18- Víctor Campos-Leal “¿De dónde sacan que no hay tenores?”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
22- Louise Phelan Por un canto sin tensiones
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
25- Adiós a Philip Gossett (1941-2017)
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
26- Joseph Calleja De Malta para el mundo
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]VOCES[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]GALERÍA DE RAREZAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
34- Werther, de Jules Massenet
[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA CONTEMPORÁNEA[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RELATO[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lqbv16ojcy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]LIBROS[/cmsmasters_heading][cmsmasters_text shortcode_id=»wvc6e37apm» animation_delay=»0″]
42- Principios y prácticas del bel canto según Cornelius L. Reid
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mawawb2ha7″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»jtub8eapuw» animation_delay=»0″]
46- Diana Damrau: Meyerbeer Grand Opera, Sonya Yoncheva: Händel, Les contes d’Hoffmann (Offenbach)
[/cmsmasters_text][cmsmasters_heading shortcode_id=»dvvpjctujq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»r3bf1q8bda» animation_delay=»0″]
Kevin Newbury:
Mi verdadera pasión es dirigir óperas nuevas
Annalisa Stroppa:
El escenario es un verdadero gimnasio
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