Enero – Febrero 2019
[cmsmasters_row data_width=»boxed» data_padding_left=»3″ data_padding_right=»3″ data_top_style=»default» data_bot_style=»default» data_color=»default» data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_bg_parallax_ratio=»0.5″ data_padding_top=»0″ data_padding_bottom=»50″ data_padding_top_large=»0″ data_padding_bottom_large=»0″ data_padding_top_laptop=»0″ data_padding_bottom_laptop=»0″ data_padding_top_tablet=»0″ data_padding_bottom_tablet=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_v=»0″ data_shortcode_id=»k6lltlpe1l»][cmsmasters_column data_width=»1/2″ data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_border_style=»default» data_animation_delay=»0″ data_shortcode_id=»he6qu90lb»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» animation_delay=»0″]16322|http://54.37.154.135/Opera/wp-content/uploads/2019/10/ENE-FEB-2019-1-775×1024.jpg|large[/cmsmasters_image]
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/ENE-FEB-2019_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]
10 – Stiffelio en el Bellas Artes
11 – La nozze di Figaro en el Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PUNTOS DE VISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
12 – El gineceo de la ópera iluminó el Castillo de Aguafrescas
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
16 – Sonya Yoncheva: «Massenet y Puccini son hermanos musicales»
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BATUTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
20 – Domingo Hindoyan: «Siempre tuve en la mira la dirección de orquestas»
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]VOCES[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
26 – César Delgado: “La voz es el espejo del alma”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CANTO[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
26 – Cecilia Montemayor: “El mejor maestro es el que hace del alumno su propio maestro”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CONCURSOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
32 – El Met llega a San Miguel de Allende
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CULTURA[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
33 – El Centro Cultural y Opera Studio Beckmann
34 – Un nuevo polo de desarrollo artístico… en Tequila
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]FESTIVALES[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MEXICANOS EN EL MUNDO[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
36 – Leonardo Sánchez: “Paso a paso”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]SALUD[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
40 – Rosa Eugenia Chávez Los riesgos de la voz artística
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
43 – Montserrat Caballé (1933-2018)
[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]
44 – Javier Camarena: Contrabandista; Marina Rebeka: Spirito; Nadine Sierra: There’s a Place for Us
[/cmsmasters_text][cmsmasters_heading shortcode_id=»80vih96bw» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]LIBROS[/cmsmasters_heading][cmsmasters_text shortcode_id=»77kof4g2mp» animation_delay=»0″]
47 – Ópera y justicia, de Gonzalo Uribarri y Alejandro Anaya
[/cmsmasters_text][cmsmasters_heading shortcode_id=»azqbtuwjrp» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CARTAS AL EDITOR[/cmsmasters_heading][cmsmasters_text shortcode_id=»ccdzxauz8e» animation_delay=»0″]
48 – Las bodas de Figaro, hace 50 años
[/cmsmasters_text][cmsmasters_heading shortcode_id=»0rd5rjkib» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»rwaw9yktdv» animation_delay=»0″]
Oksana Dyka
“Cantaré hasta que me dure la voz”
Andreas Conrad
Un tenor para Strauss y Wagner
[/cmsmasters_text][cmsmasters_heading shortcode_id=»hbhzj90kh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»0uavffvtw» animation_delay=»0″]
Chía Patiño, directora del Teatro Nacional Sucre
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