Julio – Agosto 2019

[cmsmasters_row data_width=»boxed» data_padding_left=»3″ data_padding_right=»3″ data_top_style=»default» data_bot_style=»default» data_color=»default» data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_bg_parallax_ratio=»0.5″ data_padding_top=»0″ data_padding_bottom=»50″ data_padding_top_large=»0″ data_padding_bottom_large=»0″ data_padding_top_laptop=»0″ data_padding_bottom_laptop=»0″ data_padding_top_tablet=»0″ data_padding_bottom_tablet=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_v=»0″ data_shortcode_id=»k6lltlpe1l»][cmsmasters_column data_width=»1/2″ data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_border_style=»default» data_animation_delay=»0″ data_shortcode_id=»he6qu90lb»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» animation_delay=»0″]16318|http://54.37.154.135/Opera/wp-content/uploads/2019/10/JUL-AGO-2019-1-775×1024.jpg|large[/cmsmasters_image]

[cmsmasters_divider shortcode_id=»15togbzu9p» width=»long» height=»0″ style=»solid» position=»center» margin_top=»25″ margin_bottom=»40″ animation_delay=»0″]

[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/JUL-AGO-2019_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]

03 – Pró Ópera en Los Ángeles

04 – En Breve

05 – Ópera en México

[/cmsmasters_text][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]

10 – L’amour de loin en Bellas Artes

[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RESCATE[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]

12 – Catalina de Guisa, de Cenobio Paniagua

[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]HISTORIA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]

14 – Aúrea Maya: “Hacia una nueva historia de la ópera en México”

18 – Ópera en los Estados

[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ZARZUELA[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]

21 – Marcello Pérez: Por más zarzuela de calidad en el mundo

[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]INICIATIVAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]

22 – Benito Rodríguez: “El cantante se hace en el escenario, no en el aula”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BATUTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]

24 – Allen Vladimir Gómez: “Creo en el poder de la música”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]EN PRIMERA PERSONA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]

26 – Los primeros frutos de Ricardo Ceballos

[/cmsmasters_text][cmsmasters_heading shortcode_id=»6esgr2x679″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MEXICANOS EN EL MUNDO[/cmsmasters_heading][cmsmasters_text shortcode_id=»wo84e2tw6k» animation_delay=»0″]

28 – Roberto Kalb, y el privilegio de dirigir óperas de compositores vivos

29 – México en el mundo

[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]

30 – Alice Coote: “Cantar es actuar con la voz”

[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]

35 – Heather Harper (1930-2019)

[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RECONOCIMIENTOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»77kof4g2mp» animation_delay=»0″]

36 – Ramón Vargas recibe el Premio Opera News 2019

[/cmsmasters_text][cmsmasters_heading shortcode_id=»80vih96bw» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RELATOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»7j9vdfhmeq» animation_delay=»0″]

40 – Arrobado

[/cmsmasters_text][cmsmasters_heading shortcode_id=»pxhsqfv8o» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENSAYO[/cmsmasters_heading][cmsmasters_text shortcode_id=»hk1drv6ru2″ animation_delay=»0″]

42 – Las dictaduras en la ópera (III)

[/cmsmasters_text][cmsmasters_heading shortcode_id=»azqbtuwjrp» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ccdzxauz8e» animation_delay=»0″]

45 – Cecilia Bartoli: Antonio Vivaldi; Massenet: La NavarraisePuccini: Il Tabarro; Marie-Claude Chappuis: Au coeur des Alps

[/cmsmasters_text][cmsmasters_heading shortcode_id=»5tajr5zr0p» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»ewlt2jxf2n» animation_delay=»0″]

Bryan Hymel: El tenor de las óperas imposibles

[/cmsmasters_text][cmsmasters_heading shortcode_id=»j7k0bd7m6n» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»lx4xx59ict» animation_delay=»0″]

Sherrill Milnes, barítono Director de VOICExperience

[/cmsmasters_text][/cmsmasters_column][/cmsmasters_row]

Compartir: