Marzo – Abril 2020
[cmsmasters_row data_width=»boxed» data_padding_left=»3″ data_padding_right=»3″ data_top_style=»default» data_bot_style=»default» data_color=»default» data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_bg_parallax_ratio=»0.5″ data_padding_top=»0″ data_padding_bottom=»50″ data_padding_top_large=»0″ data_padding_bottom_large=»0″ data_padding_top_laptop=»0″ data_padding_bottom_laptop=»0″ data_padding_top_tablet=»0″ data_padding_bottom_tablet=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_v=»0″ data_shortcode_id=»k6lltlpe1l»][cmsmasters_column data_width=»1/2″ data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_border_style=»default» data_animation_delay=»0″ data_shortcode_id=»he6qu90lb»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» link=»https://proopera.org.mx/wp-content/uploads/2020/02/Marzo2020-775×1024-1.jpg» animation_delay=»0″]21983|https://proopera.org.mx/wp-content/uploads/2020/02/Marzo2020-775×1024-1-227×300.jpg|medium[/cmsmasters_image]
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»https://proopera.org.mx/wp-content/uploads/2020/02/00-mar2020.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PROTAGONISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
04 – Jesús León: “Uno aprende a cantar después de los 40”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»vrhcqpq6li» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]HOMENAJE[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]
7 – Réquiem para Ignacio Toscano
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CANTO FRESCO[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
08 – Rosa Dávila: “Es importante estar en el foco artístico”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MEMORIAS DEL PALACIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
10 – De div@s, “paura” y otras manías
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]TEATROS[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
12 – Los 85 años de Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA MEXICANA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
16 – Manuel Sumaya y su tiempo
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RESCATE[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
18 – Carlos Vidaurri: La restauración de Los dos gemelos, de 1816
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
22 – Karita Mattila: “A mis 58 años, sigo debutando roles”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]FESTIVALES[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
26 – Elisabeth Sobotka: “Expresamos nuestras ideas a través de nuestras producciones”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENSAYO[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
28 – El nacimiento de la ópera
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]IN MEMORIAM[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
32 – Harry Kupfer: Un tributo personal
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]VOCES[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
34 – Christian Senn: “En el barroco, cada aria es casi una ópera”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
36 – Mattia Olivieri: “Me gustan los desafíos”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CONCIERTOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»80vih96bw» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»77kof4g2mp» animation_delay=»0″]
42 – Naoki Murata, director ejecutivo del Nuevo Teatro Nacional de Tokio
[/cmsmasters_text][cmsmasters_heading shortcode_id=»bp2jeum8bc» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA Y JUSTICIA[/cmsmasters_heading][cmsmasters_text shortcode_id=»qc4xq3lopo» animation_delay=»0″]
44 – El barbero de Sevilla y ‘La calumnia’
[/cmsmasters_text][cmsmasters_heading shortcode_id=»85n1igjp9p» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RELATO[/cmsmasters_heading][cmsmasters_text shortcode_id=»q8rzle8jd» animation_delay=»0″]
48 – Nuestro destino en las cartas
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