Marzo – Abril 2018
[cmsmasters_row data_width=»boxed» data_padding_left=»3″ data_padding_right=»3″ data_top_style=»default» data_bot_style=»default» data_color=»default» data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_bg_parallax_ratio=»0.5″ data_padding_top=»0″ data_padding_bottom=»50″ data_padding_top_large=»0″ data_padding_bottom_large=»0″ data_padding_top_laptop=»0″ data_padding_bottom_laptop=»0″ data_padding_top_tablet=»0″ data_padding_bottom_tablet=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_v=»0″ data_shortcode_id=»k6lltlpe1l»][cmsmasters_column data_width=»1/2″ data_bg_position=»top center» data_bg_repeat=»no-repeat» data_bg_attachment=»scroll» data_bg_size=»cover» data_border_style=»default» data_animation_delay=»0″ data_shortcode_id=»he6qu90lb»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» animation_delay=»0″]16672|http://54.37.154.135/wp-content/uploads/2019/10/mar-abr-18.jpg|full[/cmsmasters_image]
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/MAR-ABR-18_compressed_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CARA A CARA[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]
08- Gamaliel Reynoso: “Ser contratenor en México sigue siendo un tabú”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]INICIATIVAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
10- Luis Felipe Losada: “El público infantil es un público potencial”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DEBUT[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
14 – Valerio Vázquez dirige La Luna
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]COMPOSITORES[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
16- Antonio Juan-Marcos: “Me gusta mucho explorar el sonido en el lenguaje”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]IN MEMORIAM[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
19- Un recuerdo de Hvorostovsky
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
20- Mauricio García Lozano:“El final de Così fan tutte puede ser un canto de libertad”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]TALLERES[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
26 – Lenore Rosenberg en el San Miguel Institute of Bel Canto
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA EN LOS ESTADOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
28 – Concierto México-Canadá en San Miguel
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]MEXICANOS EN EL MUNDO [/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
30 – Emilio Pons “Las voces que están en mayor demanda en Europa son tenores y bajos”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
36- Anita Hartig: “Debes dejar tu huella en cada papel que interpretas”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CANTOS DE VIDA Y MUERTE[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
42 – Sangre y locura: Lucia di Lammermoor y Macbeth
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
46 – Der Rosenkavalier, Cavalleria rusticana, Lucio Silla
[/cmsmasters_text][cmsmasters_heading shortcode_id=»xpugk6lqmi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»8nscikpsgf» animation_delay=»0″]
Ana Ibarra “No se puede cantar sin actuar”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»znmwmcq3a9″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»g1mg0ifny» animation_delay=»0″]
José Manuel Aguilar, director artístico de la Compañía Lírica Nacional de Costa Rica
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