Mayo – Junio 2018
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/MAR-ABR-18_compressed_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»wjrrgv8lfi» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CANTO FRESCO[/cmsmasters_heading][cmsmasters_text shortcode_id=»hulgs8yvi5″ animation_delay=»0″]
08- Ana Capetillo: “En esta carrera es difícil saber en dónde vamos a terminar”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]INICIATIVAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
10-Don Quijote y el Titiritero:Ópera en una app
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ORQUESTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
14- César Uriel Hernández, de la Osinjuve: “La música pide cómo ser interpretada”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
16 – José Luis Ordóñez “No importa cuál sea la cancha; lo importante es jugar”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CARA A CARA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
20- Liliana Aguilasocho: “Musicalizar el teatro y teatralizar la música”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CONCURSOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
28- Marcelo Lombarbero: “Bromas y lamentos nació como una necesidad expresiva”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ÓPERA EN LOS ESTADOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
32- Jorge Lagunes: “Jack Rance es el rol más pesado de todos”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
36- Ruxandra Donose: “Ya he cantado Adalgisa y quiero probar el rol de Norma”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ANIVERSARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
38- El bicentenario del Moisés
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
42- Artistas frente a la historia: Andrea Chénier y Tosca
[/cmsmasters_text][cmsmasters_heading shortcode_id=»sjtdf6m0k» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ioskob75hk» animation_delay=»0″]
46 – Les troyens (Berlioz), Mirages: Sabine Devieilhe, L’Opéra: Jonas Kaufmann
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ssehgt1xy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»85pt2ywdsr» animation_delay=»0″]
Lisette Oropesa
«¡Yo quiero hacer bel canto hasta la muerte!»
Johannes Martin Kränzle:
“Mi carrera despegó gracias a Wagner”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ztn8xjv5d» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»1gjcud5hd» animation_delay=»0″]
Irena Sylya, directora de la Fundación Ópera Panamá
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