Septiembre – Octubre 2013
[cmsmasters_row data_shortcode_id=»k6lltlpe1l» data_padding_bottom_mobile_v=»0″ data_padding_top_mobile_v=»0″ data_padding_bottom_mobile_h=»0″ data_padding_top_mobile_h=»0″ data_padding_bottom_tablet=»0″ data_padding_top_tablet=»0″ data_padding_bottom_laptop=»0″ data_padding_top_laptop=»0″ data_padding_bottom_large=»0″ data_padding_top_large=»0″ data_padding_bottom=»50″ data_padding_top=»0″ data_bg_parallax_ratio=»0.5″ data_bg_size=»cover» data_bg_attachment=»scroll» data_bg_repeat=»no-repeat» data_bg_position=»top center» data_color=»default» data_bot_style=»default» data_top_style=»default» data_padding_right=»3″ data_padding_left=»3″ data_width=»boxed»][cmsmasters_column data_width=»1/2″ data_shortcode_id=»he6qu90lb» data_animation_delay=»0″ data_border_style=»default» data_bg_size=»cover» data_bg_attachment=»scroll» data_bg_repeat=»no-repeat» data_bg_position=»top center»][cmsmasters_image shortcode_id=»e4e89bizu» align=»none» animation_delay=»0″]20429|http://54.37.154.135/wp-content/uploads/2020/01/00-portada-sep2013_page-0001-1.jpg|full[/cmsmasters_image]
[cmsmasters_divider shortcode_id=»15togbzu9p» width=»long» height=»0″ style=»solid» position=»center» margin_top=»25″ margin_bottom=»40″ animation_delay=»0″]
[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2020/01/SEP-OCT-2013_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
12- Il trovatore en Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PERFILES[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
14- Catalina Pereda: Una voz nómada
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
16- Arturo Rodríguez Torres: El hombre orquesta
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DEBUT[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
26- Diego Silva, seis años después
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
30- Matthew Polenzani: “Las puestas en escena son cuestión de gustos”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BICENTENARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
36- Giuseppe Verdi, el viejo que amaba a Shakespeare
40- Richard Wagner: Encuentros y desencuentros
[/cmsmasters_text][cmsmasters_heading shortcode_id=»t6p1rue92e» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»85cz1fwamh» animation_delay=»0″]
44- Norma, Eugene Onegin, Petite Messe Solennelle
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]RETRATO[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
48- El caballero Gluck, según E. T. A. Hoffmann
[/cmsmasters_text][cmsmasters_heading shortcode_id=»axfawhswa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»08br3f51ud» animation_delay=»0″]
Nadja Michael: “Los cantantes de ópera no están dispuestos a arriesgarse”
BAJO LA LUPA Burak Bilgili, bajo-barítono
Maria Guleghina Un canto desde lo más profundo
[/cmsmasters_text][/cmsmasters_column][/cmsmasters_row]