Enero – Febrero 2014
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[cmsmasters_button shortcode_id=»q3fr59b93v» button_link=»/wp-content/uploads/2019/11/ENE-FEB-2014_compressed.pdf» button_target=»blank» button_text_align=»center» button_style=»cmsmasters_but_bg_hover» button_font_weight=»normal» button_font_style=»normal» button_text_transform=»default» button_icon=»cmsmasters-icon-file-pdf» button_border_style=»solid» animation_delay=»0″]Descargar Revista[/cmsmasters_button][/cmsmasters_column][cmsmasters_column data_width=»1/2″ data_shortcode_id=»x2bk5g0qr»][cmsmasters_text shortcode_id=»nayc6e0tk» animation_delay=»0″]
03- Carta al Editor: Aclaración de Ramón Vargas
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ggwi1pi5lh» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ESCENA[/cmsmasters_heading][cmsmasters_text shortcode_id=»jphg6f6sof» animation_delay=»0″]
08- Daniel Leyva: Artífice de las óperas politécnicas
[/cmsmasters_text][cmsmasters_heading shortcode_id=»pi47ugwmy» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CARA A CARA[/cmsmasters_heading][cmsmasters_text shortcode_id=»6gnls8jq9i» animation_delay=»0″]
10- Xavier Cortés: “Una carrera operística es una carrera internacional”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»d7jcx0fwca» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]BAJO LA LUPA[/cmsmasters_heading][cmsmasters_text shortcode_id=»99py5l7pko» animation_delay=»0″]
10- Luis Ledesma: “Me identifico con los villanos y los deformes”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4tv6uzfnqa» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CRÍTICA[/cmsmasters_heading][cmsmasters_text shortcode_id=»j4j2eloojg» animation_delay=»0″]
14- Pygmalion en el Teatro de la Ciudad
[/cmsmasters_text][cmsmasters_heading shortcode_id=»4ssn9n2oj» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]COMPOSITORES[/cmsmasters_heading][cmsmasters_text shortcode_id=»fd687240cn» animation_delay=»0″]
20- Patricia Santos: Un acercamiento a “la voz del Bicentenario”
[/cmsmasters_text][cmsmasters_heading shortcode_id=»ehq71224mq» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]PORTADA[/cmsmasters_heading][cmsmasters_text shortcode_id=»manp0387r8″ animation_delay=»0″]
22- Barbara Frittoli en México
[/cmsmasters_text][cmsmasters_heading shortcode_id=»istxv1couu» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]OBITUARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»w5z3ur2ujl» animation_delay=»0″]
40- El bicentenario de Aureliano in Palmira
[/cmsmasters_text][cmsmasters_heading shortcode_id=»mv4towdpi3″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»r03ny5hp5″ animation_delay=»0″]
[/cmsmasters_text][cmsmasters_heading shortcode_id=»lsc2kwyax» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]TESTIMONIAL[/cmsmasters_heading][cmsmasters_text shortcode_id=»6e081ngig9″ animation_delay=»0″]
47- Crónica de un viaje irrepetible
[/cmsmasters_text][cmsmasters_heading shortcode_id=»g7g0mwizja» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]CALENDARIO[/cmsmasters_heading][cmsmasters_text shortcode_id=»grchu6phv» animation_delay=»0″]
47- L’elisir d’amore en Bellas Artes
[/cmsmasters_text][cmsmasters_heading shortcode_id=»rzlgah164g» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]GALERÍA DE RAREZAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»he9j5fqnvs» animation_delay=»0″]
44- Halka, de Stanisław Moniuszko
[/cmsmasters_text][cmsmasters_heading shortcode_id=»n78wz2e3eg» type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]DISCOS[/cmsmasters_heading][cmsmasters_text shortcode_id=»ht7zprffdl» animation_delay=»0″]
46- Jonas Kaufmann: Nessun dorma; Olga Peretyatko: Rossini! Rusalka, de Dvorák
[/cmsmasters_text][cmsmasters_heading shortcode_id=»h936m76gs6″ type=»h4″ font_weight=»default» font_style=»default» text_align=»left» margin_top=»0″ margin_bottom=»10″ animation_delay=»0″]ENTREVISTAS[/cmsmasters_heading][cmsmasters_text shortcode_id=»30308avw7f» animation_delay=»0″]
“La ópera es un salto de la imaginación”
“El corazón del teatro es el escenario”
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